The brand new movie The Satan All of the Time weaves collectively a tapestry of violence from the lives of misplaced souls. Set in Meade, Ohio within the wake of World Battle II, the Netflix drama picks up with numerous wayward characters — fathers, moms, sons, a number of unfastened cannons, and in some methods God himself — who every hit a turbulent spell and switch to religion, in some kind or one other, for solutions. Primarily based on the celebrated e-book by Donald Ray Pollock, it’s a grim and evocative watch.
For filmmaker Antonio Campos, it’s additionally a step as much as a bigger scale of storytelling. In his earlier movies Simon Killer and Christine, and even his flip to TV with USA’s The Sinner, Campos drilled down into the psychologies of particular people to search out what was at their core. The Satan All of the Time has him pulling the strings of an ensemble, and one stacked with rising stars like Tom Holland, Robert Pattinson, Sebastian Stan, and Riley Keough.
Polygon sat down with Campos over Zoom to speak about why he jumped on the likelihood to adapt the novel, how Pattinson discovered his voice as a maniacal preacher, and the way he landed on soft-spoken narrator for the movie — who’s performed by none aside from Pollock himself.
The Satan All of the Time seems like an enormous shift out of your earlier work. What you about this story, and what was your approach into it?
Antonio Campos: There have been so many pictures within the e-book I needed to carry to display. The primary was the prologue, and work out how that will look, and create a spot that I might stroll by means of. That was the very first thing. But it surely was an enormous generational story that I used to be concerned with telling, and doing it by means of the genres of Southern Gothic and noir.
There are these sort of characters that go to darkish locations which are very type of consistent with people who I’ve put in motion pictures earlier than. The factor that I believe that I used to be most concerned with exploring was the connection that these characters have with faith and religion, and exploring a world the place you’re feeling the absence of God, however the place you additionally really feel the depth of individuals’s perception. And so for me as somebody who was raised Catholic, and who had a mom who was very, very spiritual and a father who wasn’t, and who struggled together with his religion, I simply felt concerned with telling a narrative that was a few generational story that handled faith ultimately. And that’s what caught me type of on a thematic degree. Outdoors of that, it was actually that I simply I liked these two genres. I liked the characters that Don had created within the e-book, who I needed to make into individuals on the display.
You decided that’s sort of uncommon in e-book variations: You employed the writer to be the narrator. How did that occur?
I waited so lengthy on that, to ask Don if he would do the voiceover. I used to be so scared that he would say no, as a result of I solely had Don’s voice in my head. There was no backup plan for Don. And once they lastly introduced it up, I believe two years into figuring out him, and he was like, “Properly, should you suppose that I can do it then I’m joyful to.” And he gave me an out. He stated “In case you don’t prefer it, if it’s not good, don’t don’t be scared to inform me, I gained’t be insulted.” And I used to be like, “Don, don’t fear. I’m gonna find it irresistible.”
However yeah, he doesn’t even do his personal audiobooks. I instructed him I used to be like, “Who does your audiobooks? They suck! You need to do your audiobooks.” No, he doesn’t like doing it. However he generously put his voice within the film.
Jake Gyllenhaal produced the movie — was there ever a job he thought-about taking over? Did he enable you safe Tom since they labored collectively in Spider-Man: Far From House?
Randall Poster, who’s referred to as music supervisor, however had labored on Christine and a pair movies I produced, he was the one who introduced me the e-book, and he and I partnered up very early on to do that and produce this. After which we wanted a accomplice, and I had met Riva Marker, who’s Jake Gyllenhaal, his accomplice, and I had recognized about 9 Tales , his firm, and what they have been as much as. And that complete relationship was pushed by a typical curiosity within the sort of materials we have been into on a producerial degree. So Jake was at all times a producer on the undertaking, however was by no means going to be a part of it.
And Tom got here in earlier than Jake did. When Tom was forged the film, Tom had been forged as Spider Man, however I hadn’t seen Tom as Spider-Man but. So then the Tom instructed a joke about once they have been on set for Far From House that Jake had stated, “What are you doing subsequent?” And Tom was like, “I’m doing this after we name The Satan All of the Time.” And Jake was like, “Oh, I’m producing that film.” By some means he hadn’t gotten the memo.
How did you and Robert Pattinson land on the characterization for the preacher character? It’s wild, however an increasing number of, that appears to be an uncharted place Pattinson likes to go in his motion pictures.
We knew that the character was from Tennessee, so we checked out individuals from Tennessee, we checked out evangelical preachers and we checked out rock stars on the time. However that voice and that characterization, we talked concerning the character so much, however that voice was Rob Pattinson in all his magical glory.
The movie feels very devoted to the e-book, and it appears like you’ve gotten nice reverence for Don’s prose, however was there one thing you invented for the movie that you simply wanted for dramatic causes or that you simply simply felt you needed to see?
My brother and I actually appreciated the aspect storyline, the underbelly storyline of what was occurring in Meade, and so we sort of leaned into that. Like Leroy [Douglas Hodge] and Bobo, and this different character Tater, who principally is who Leroy is within the script, that was stuff that was like within the periphery, but it surely was a part of the world that we needed to discover with Boedeker [Sebastian Stan]. The factor I believe we added extra of was complexity to Sandy. I believe we leaned into her POV in that a part of the story. And in the end, I believe that we leaned to a extra hopeful ending though the movie has a mysterious, ambiguous ending, there’s nonetheless a way of potential for individuals.